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Terminal Networks Collection

  • Sep 21, 2025
  • 2 min read

Updated: Jun 22

Sunday 21 September 2025


TLDR

  • Death is persistent infrastructure transmitting after the host goes offline

  • 26 hand-painted Rothko-inspired works map 13 death transmissions across dual protocols

  • The exhibition invites you to navigate the network as a Necronaut


Death in Western culture is treated as a system shutdown. This collection proposes a different kind of boot sequence entirely. Terminal Networks began with two ideas arriving together. The first: death as infrastructure, an active, persistent system where signal keeps transmitting long after the host goes offline. The second: that the moment the human spirit leaves the body, something switches on rather than off. A plugging in. A coming online into a matrix of energy running through everything, the way the internet seems to be reaching into every corner of human activity.


The 26 hand-painted watercolours in this collection were conceived and built in 2025, drawing on cybernetic death theory and Rothko's transcendent colour field practice. Working with gouache on cotton rag paper, colour carries the conceptual weight. Every piece was painted by hand, scanned at 600dpi, and minted individually on the blockchain. Human bodies are notoriously unencrypted: vulnerable, permeable, open to remote access. The minting process felt like an extension of that idea.


6 panel promotional slide for social media

 

The structure is deliberate. Thirteen terminals, each a visual station mapping a distinct flavour of death: violent, entropic, digital, ecstatic, forgotten, divine, entombed, null, viral. Each terminal splits into two protocols, a Primary transmission and an Echo. The Echo is a glitch, the system's response to its own signal, never quite resolving. Infrastructure terminals reveal pigment as architecture, possession as protocol.

 

Two works sit with me particularly. Node 09A\ Possession Protocol maps the idea that spirits use living bodies the way we use devices, borrowing bandwidth, routing signal through available hardware, death as interface rather than departure. Node 03A\ Navigator Online explores the moment of submission to the network of the dead, the crossing point where the living signal hands itself over. The dead are not behind. They are parallel.

 

Terminal Networks positions you, the viewer, as a Necronaut; navigating this network, tracing transmissions, following signal across 26 nodes of pigment and colour. The recursive pull is intentional. The system is still running. The network is still live. The signal stays open.



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- Craig / Artipodean

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